New Adult

I am currently rocketing through a 5 & ½ book series – the ½ book is a novella – which was categorized on Amazon as “Teen and Young Adult”. This caused a double-take as I had previously believed the ‘Young Adult” designation to be a polite term for “Teen Fiction”. It would appear that readership categories are built upon shifting sands.

Up to now, my understanding was that “Young Adult” (YA) covered the 13 to 17 years’ age range while the awkwardly named “New Adult” (NA) covered 18 to 25. Those readers younger than 13 were classed as Pre-teen, Juvenile, etc. The boundaries of YA are a bit wobbly as some mavens set the lower limit as 14 years whilst others set the upper limit as 18 years.

One possible reason for this inexactitude is that the 13 to 18 age range spans several levels of maturity. Given that boys are a year or two behind girls, with regard to maturation, it’s easy to see why the boundaries are a bit fuzzy.

The same holds true for the 18 to 25-year age range. Your understanding of life at 18, when you’re leaving high school and headed for college, is much different from that at 25 when you’re married and trying to hold down a job.

What’s more, the categories themselves are not universally adhered to. At the 2016 BookExpo/BookCon in Chicago, the manager of the IBPA booth was barely aware of the NA category and thus placed Urban Mermaid on the shelves for Juvenile books.  Based on this, any child receiving a copy for their birthday is in for a big surprise.

Just so everyone is straight on this, Urban Mermaid is for readers 18 and older. This does not mean the book is specifically aimed at the New Adult market. It is the author’s opinion that readers in the NA & Adult readership categories will relate to it more than YA readers. It was written in a style to attract the NA segment as well as older readers. Given that ISIS is regularly lopping off heads in the Syrian desert and the 2016 Presidential race makes you want to select “None of the above”, we could all use a simple, sweet, escapist kind of story.

Cover art for Keeping Merminia

Cover art for Keeping Merminia

by Emm Cole
We are all familiar with the old conversational chestnut that “something” is going to be a tough act to follow. We have all seen examples of that pronouncement ringing true. When this reviewer learned that Emm Cole was working on a sequel to Merminia, he said the same thing to his faithful cat, Rankin, who was sleeping behind his PC monitor at the time. Today, as Rankin sleeps behind the monitor once more, this reviewer is pleased to say that Emm Cole has more than successfully followed her own “tough act” with her sequel, Keeping Merminia.

In Merminian pre-history, two princes fought an ever-widening war over their late father’s estate. Adessia, daughter of one of the warring brothers, implored them to end their fratricidal war but to no avail. Desperate to end the conflict that swept up innocent commoners in what was a simple dispute over what had been bequeathed to each son, Adessia created a ring from tokens gifted by her father and uncle and then threw it and herself into the sea as a sacrificial offering to the fates that controlled the world. The fates complied and the armies of Adessia’s father were engulfed by the sea and transmogrified as merfolk. Although, they had gotten the better part of the bargain, the merfolk devolved into warring clans, all the while searching for the ring of Adessia and the ultimate power it gave to it’s possessor. In the concluding pages of Merminia, Ulric, of the Litiant clan obtains the ring and invades the land in what is essentially a continuation of the original conflict.

In Keeping Merminia, Ulric has taken over the land-based kingdom and changed its environment to suit himself and his Litiant followers. They are here to stay and the sea has suffered for it. Food becomes scarce while more and more merfolk, Merminians as well as the neighbouring Julgrenians give up the sea in the hope of surviving on land even though this change of venue robs them of their scales and their powers. Things are becoming dire and it falls to
Selinne, leader of the Merminians, to act; to end the turmoil and chaos that is affecting her clan and her beloved sea.

In the back of my mind, I recognize what I’m supposed to do next. I remember my dream. I can hear my dead father’s message on repeat. The fates want you to take the ring back from Ulric, he said.

Even with the ocean crying out, even as the bravest mermen flee from the waves—I hesitate. I can’t imagine the horror of being without my tail. How can I leave my home? If I do manage to stop Ulric, will there even be a home left to come back to?

And so, Selinne and Arimis, her protector, embark on a perilous quest to leave the sea behind and stop Ulric at any cost. They are not alone on this journey as they are accompanied by Gabriel, the Litiant who was Selinne’s first love, and Walter, the parentless 9 year-old child who saw Ulric first come ashore near the south coast fishing village. Their guide on this journey will be Yuri, an odiferous, drunken ale trader.

It is at this point that your reviewer dates himself by comparing the party’s perilous journey to that taken by the commando team in the 1957 movie, The Bridge on the River Kwai. The task of the commando team was to destroy the Japanese railway bridge. The task of Selinne’s party is to destroy Ulric. In both cases, the overland journey is long and arduous. The commandos will have to deal with Japanese patrols while Selinne’s party will have to deal with wild beasts and enchanted beings that pose an even greater threat than the patrols. There are hardships and wounds. As the movie-goer wondered if the commandos would reach the bridge in time, the reader wonders if Selinne and her followers will arrive in time to end Ulric and take back Adessa’s ring.
As one might imagine, an overland journey is not easy on those whose usual method of travel is in and through the water. Emm Cole brilliantly articulates the sense of loss and separation from the sea experienced not only by Selinne but by other merfolk – both Merminian and Litiant – as well. This longing is best expressed by Zara, the wife of Ulric.

Her hands dip into the pond. She traces the surface, making the water curl under her fingertips. “I miss the salt of the ocean soaking into my fins. I miss the way the current rocked me to sleep. I think about the freedom of somersaulting through a lit haze of jellyfish. I’m scared I’ll forget how the morning tide sifted sunlight. I’m lost in this place. I hate not being able to float, Ulric. These weighted legs make me feel like I’m constantly sinking to the ground.”

Aramis is Selinne’s long-time body-guard and unrequited lover. He will strike up an easy-going relationship with Gabriel even though they were once sworn enemies and had both sought her affections. Although Gabriel was her first love and Aramis was treated more like a long-term close friend by her, the reader will see the tide shift from Gabriel to Aramis. Gabriel is meant for other things and though he loves Selinne like no other mermaid, he understands that the tide is turning and must turn in Aramis’ favour.

You captured my heart because you weren’t afraid to look Merconius in the eye when his trident was at your neck. I’d never had that kind of confidence in front of him before. I adored you because you insisted on being yourself for better or worse. You refused to accept his judgments. I’d give anything to go back—to tell him that I didn’t need his acceptance and love if it came with conditions. I want to believe you’re still that fiery soul—the one who wasn’t twisted by him. I want to trust that this hideous war hasn’t changed you like it has changed Ulric. But if you’re going to let your fear of what the fates might do—or how I might feel about it stop you from going after Aramis—”

Most of Keeping Merminia takes place on dry land rather than in the sea and while this reviewer had potential reservations about mer-fiction where the venue was dry land rather than salt water, Emm Cole has indeed made it work and work very well. Ms Cole is an author of no mean talent and it shows in every word, sentence, and paragraph of this story. Emm Cole has accomplished something very special here and this reviewer is eager to what she will bring to future works The only adjective that is adequate for Keeping Merminia is Brilliant.

Regrettably, this story is most likely the last that readers will hear of Merminia. Emm Cole has no plans to extend the series and has turned her considerable talents towards other projects. Though her fans will miss additional stories from the hidden gardens of Merminia, they will nonetheless be grateful for the time she has taken to build and share this underwater world with them. If this is the first you have heard about Merminia, then do not read this story and expect to somehow fill in the gaps. The story of the Merminian world is much too complex and enthralling to be absorbed and understood in one go. Read Merminia first before embarking upon Keeping Merminia. Getting caught up in Emm Cole’s underwater world is perhaps one of the best things that a reader can do.

My Rating:

Emm Cole’s website may be found at emmcole.com

[boxify cols_use =”4″ cols =”8″ position =”none” box_spacing = “auto” padding =”10 15 13 27″ background_color =”aliceblue” background_opacity =”80″ border_width =”2″ border_color =”blue” border_radius =”10″ height = “270”]

Paperback Kindle

[/boxify]

Cover art.

Cover art.

by Marie McKean

In 1975, the American artist, Jamie Wyeth, created a painting called “And then deep into the gorge” which depicts a person driving a buggy led by a team of two white horses. The buggy leaves the dappled light of the forest behind as it proceeds down a road and turns to the viewer’s left – always a bad sign in paintings – into the leafy gathering gloom of darkness, a foreshadowing of what is to happen to the person driving the buggy.

This painting came to mind when I first saw the cover art for Marie McKean’s Born of Oak and Silver and that feel of it was certainly reinforced as I read more and more of her down right dark and creepy tale.  Wyeth’s creation portends the automobile accident that will severely cripple his wife. Such a tragedy would be the least of the troubles that Daine Caradoc Dalton will have to endure. We encounter him as a very young boy who has come under the tutelage of Bram Macardle, a trifle odd but generous neighbour of his parents who live outside of Strasbourg on France’s eastern border. Bram is something of a naturalist and takes the young Daine on rambles through the surrounding countryside and provides him with an early introduction to the natural world.  For his part, Daine has a yearning to go fishing like the other boys do and since his father is constantly at work on orders for bespoke furniture, Bram offers to act in loco parentis for piscatorial activities in exchange for seeing to Daine’s education. In effect Bram becomes Daine’s patron and rather than attend a regular school, Bram will personally tutor the boy.

And then deep into the gorge

And then deep into the gorge

The education that Daine receives is unlike any other boy in the neighbourhood will have. Bram Macardle is a Druid and what’s more, Daine is one of Druidic descent. Daine does not take this bit of news very well and wonders if his tutor is barking mad. Given a day to consider the direction for his life, Daine walks home, intending not to return, and wanders through the bounds that constrain Maurelle, a subordinate member of the Sidhe Royal Court. The Sidhe are the faery people of Irish folklore and in Born of Oak and Silver, they are not of the variety that may be found living at the bottom of the garden. The Sidhe Royal Court are intent on making our world theirs and are, in and of themselves, nasty pieces of work. Even though Maurelle is pretty low in the Royal pecking order, she is nonetheless not one to be trifled with.

Daine survives his encounter with Maurelle and considers that Bram Macardle may not be off his nut after all. That Maurelle has designs on him – and not in a nice way – is impetus enough to convince Daine to train to be a full-fledged Druid.  Reviewer’s Note – There are an estimated 50,000 neo-Druids in the world. 30,000 of them are in North America.

When Daine is 17, Bram proposes to take him to Ireland in order to complete his education. Though his parents are sorry to see their son leave the nest, this opportunity for him to travel and become a man of the world is too important for him to pass up. And so, Daine Caradoc Dalton says good-bye to his parents and the only home he has ever known.

I couldn’t help but feel a deep sadness at the imminent departure of my childhood, and the constant presence of both my mother and father. And though I fought to hide it, at seeing my mother and father both attempting to act so bravely for my benefit, but failing to hide the tears that now escaped both of their eyes, I too allowed myself to fully mourn the passage of what once was.

The train began to move slowly forward.

I raised my right hand, and planted it spread on the window pane beside my face. My parents both raised their hands in farewell.

I watched them fade away until I could no longer see them on the quay huddled together and waving. When all signs of them were gone, I leaned back and drew my hat down over my face feigning sleep. The hat my father had just given me conveniently hid the flood of tears that now coursed down my face.

Marie McKean has a wonderful and amazing gift for descriptive writing. The passage about Daine leaving his home and parents behind becomes even more poignant  when the reader later discovers that this moment is the last time that he will ever see them alive. There are more scenes  in which you not only see the action but feel  like you are in the scene itself and Marie has chosen to begin her tale with a sterling example of her abilities.

Today has been just another hot and stickily humid day in a seemingly endless string of many. Neither night nor day has offered any relief from the oppressive heat. Even the nonchalant insects seem to be overly burdened by the tyrannical sun. Not that there is anything noteworthy about this during the summer months. In Mississippi, it has always been this way.

The sun has just begun to set, splaying a soft pink glow between the darkening thunderclouds in the distance. The air is thick with an imminent promise of heavy rain. Sparrows exude an unspoken urgency as they quickly skim and dart in the skies, looking to make a quick meal out of the mosquitoes that hover unconcernedly amid the southern dusk. Thunder rumbles threateningly somewhere along the horizon, and a welcomed breeze that was not there a moment ago, suddenly picks up.

You can feel the flies starting to bite in advance of the  approaching storm. The first impulse of this reviewer was to stop after page 4 and simply review Chapter One but Ms. McKean’s writing style calls the reader on to experience more. If this reviewer was fortunate enough to teach a course in creative writing, Chapter One would be presented as an outstanding example of what a writer is capable of doing and, yes, it would be on the final exam.

Marie’s characters are crafted with the same extraordinary care. For example, Daine is a latter day Job who does not lose all in a day, but rather, loses the people he loves – one by one – as the story unfolds. He is a Druid of untapped power and potential but despite all this, he seems powerless to stop the darkness and tragedy hurled at him by Maurelle and the forces she represents.  The most bitter losses are saved for the last.

Another example is Daine’s mother, Carine Dalton. We see her not as a mere secondary character in a story but as a real life flesh and blood mother. The love and concern she shows for her son is most palpable and extends beyond the grave. This reviewer intends to use Carine as an example when he develops his own characters. Bram Macardle, Daine’s father, Bram’s grand-daughters, Maurelle herself; the list could – and does – go on and on.

Born of Oak and Silver fills a void in fantasy subjects as Druidry has received scant attention. This story may well become the “gold standard” for other authors who chose Druids as a theme for their stories. But Ms. McKean’s story is about so much more; Deciet, Betrayal, Evil, Perseverance , Heroism, Sacrifice and unending Love are  all to be found between the opening sentences of Chapter one and the final words of Chapter Twenty Three. To that list, one may add Frustration as the sequel, Born of Ash and Iron, is not due to release until October of 2014.

Sometimes, the greatest accolade comes not from a reviewer but from a fellow author. Emm Cole, author of the Merminia series has declared Born of Oak and Silver to be her favourite indie book of the year. It is easy to see why. In the final analysis, it is left to you, the reader, to make the ultimate decision. Born of Oak and Silver is not for the faint of heart nor is it for the casual reader in the fantasy genre. By all means ,do take the time to purchase and read Marie McKean’s novel. The journey is well worth it. This reviewer is expecting great things to come from her future efforts and is eager to see what else is to pour forth from her keyboard.

My Rating:

Marie McKean’s website is at mariemckean.com

Buy your own copy of Born of Oak and Silver

[boxify cols_use =”4″ cols =”8″ position =”none” box_spacing = “auto” padding =”10 15 13 27″ background_color =”aliceblue” background_opacity =”80″ border_width =”2″ border_color =”blue” border_radius =”10″ height = “270”]

Paperback Kindle

[/boxify]

This Month’s Rants

November 2017
M T W T F S S
« Dec    
 12345
6789101112
13141516171819
20212223242526
27282930  

Pipe Count

Dr. Data's Pipe Count

480 (+/-)

Dr. Data has PAD - Pipe Acquisition Disorder

Professional Reader

Subscribe to my Rants

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 222 other subscribers